I appreciate the trade-offs for what they are - in that I prefer having a notch and a better onboard camera instead of no notch and a poorer camera.īut you have to deal with the notch. Perhaps I was a notch apologist.īut yes, the notch is there. Perhaps I was distracted by the M1 Pro MacBook Pro’s blazing speed or stunning display. I didn’t notice it in the first few weeks. Only now do I feel like I’m gaining insight on how this device has altered my daily life. It takes a few months of use to gain perspective over any product, and this is especially so with the MacBook Pro. If we were discuss them relative to one another, I think more words have been spilled on the MacBook Pro’s notch. Despite the previously mentioned subplot, it is dark and gritty with a compelling narrative.The iPhone is a much more popular product than the MacBook Pro, so naturally the discussion around the iPhone X’s notch was much larger than the discussion around the MacBook Pro’s notch. Unicorn Wars is a must-watch for anyone who is a fan of adult animation or horror. It’s reassuring that he wasn’t just a creative one-hit wonder with Birdboy, and I eagerly anticipate his future work. With that being said, Vasquez’s work continues to amaze. It’s not overtly sexual in any way, just a weird choice. It would’ve improved Unicorn Wars’ story if it had been completely cut out or given more development. Though interesting conceptually, the monster’s inclusion detracts from the rest of the plot. Without going too much into spoilers, one is a particular subplot involving a monster that is only really brought up at the beginning and the ending of the film. There are two issues with Unicorn Wars, though. There’s a psychedelic aesthetic to the jungle that the bears explore – and especially in a scene where the bears eat magic worms – and the whole movie is beautifully animated, but this also adds to the horror at points since there’s no shortage of gore and bloody violence when battles break out. Compared to his previous film, which mostly had a dark, desaturated colour palette, Unicorn Wars is bright and colourful. The aesthetic of Unicorn Wars is a welcome difference as well. This kind of plot isn’t anything new, but Unicorn Wars is unique enough to stand by itself. They may look cute and talk about how cuddly and lovable they are, but the bear society is basically a colonialist superpower that believes the forest is theirs by divine right. As with any good war film, it’s less about the conflict itself and how war affects those it touches. Unicorn Wars could have just relied on its concept of being an animated movie of warring fantasy animals, but the writing is exceptionally well done. Unlike Birdboy, there are also some moments of comedy throughout Unicorn Wars – a personal highlight is that the mantra of Bluey and Tubby’s training camp is ‘honour, pain and cuddles.’ Bluey is an ambitious but spiteful soldier that craves approval, and Tubby is the frequently bullied but softer-hearted and caring of the two. While predominantly focusing on the futility of war, environmental conservation and radical zealotry, family drama is also covered. Vasquez’s work focuses on the darker side of humanity and morality, and though Unicorn Wars may feature cutesy teddy bears, it is brutal. As they venture into the jungle, they have to face the realities of war and their relationship with each other. A Spanish French adult animated fantasy drama/ horror partially adapted from the short Unicorn Blood, the story follows two brothers, Tubby and Bluey (voiced by Jon Goiri and Jaione Insausti, respectively), training to fight in an age-long war against the unicorns when their unit is tasked with going on a deadly mission. While Birdboy can be described as Animal Crossing after a nuclear accident, Unicorn Wars is Apocalypse Now meets The Care Bears. His most famous work, the 2015 movie Birdboy: The Forgotten Children, is a feature-length adaptation of one of these shorts. If there is one word to summarise Alberto Vasquez’s style as a creator, it’s “distinctive.” Starting off as a comic book artist, the Spanish director/writer would move into animation and create shorts featuring anthropomorphised characters in gritty situations.
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